Getting Your Stories Published

Some words of encouragement for those of you who have been trying to get your work published.

Submitting stories for publication can be a long and thankless task, but it is immensely uplifting when a story is accepted. It means that someone has read your work and has, in a sense, validated it. One of my favourite stories: A Cure For Snakebites, was sent out a total of 30 times to different literary journals between 2011 and 2017. I re-wrote the story multiple times, but essentially the heart of it remained the same. I had a message to convey and somewhere the message was embedded in that story.  Sometimes when we start writing a story – or even when we have written the first few drafts – we are not sure what our story is about. We cling to that tale because our heart says we must.

I stuck with this story for that reason. I would take it out, re-read it, tweak it, and experience a range of ‘Aha!’ moments as I began to understand what it meant for me. The writer Dorothea Brande said, “Writing is re-writing.” We need to re-write in order to dig deeply and find out what is in the pit of our subconscious. So, don’t write your story and say that you are done with it after the first draft. Look again and you will see something new. 

For readers, our stories may have many different meanings. We can explain up to a point what we were trying to say, but ultimately it must be for the reader to search and find what they are looking for in that story.

A Cure For Snakebites was finally accepted on the 31st try, by the literary journal Litro at the beginning of 2017, and I later republished it under the title Charmed in the collection  A Brief History of Several Boyfriends.

3 A Brief History of Several Boyfriends - janet Olearski

Part of the key to getting your stories published is finding the right match between your style of writing and the journal to which you are submitting. That means reading the material they publish to see if your story is likely to fit. Don’t submit at random. Your story, if you love it, deserves better than that.

 

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NaNoWriMo – The Fast and Furious Guide

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We’ve been having a conversation on WhatsApp about how to do NaNoWriMo. Here is my Fast and Furious Guide. It defies all the laws of good writing, but it may help you clock up your 50,000 words, and once you have those, you have the first draft of your book.

About plans

So first, sketch out a rough plan. Spend five minutes on this. Don’t agonize over it.

Next, write a one- or two-line premise to remind yourself what you are writing about. Ask yourself, ‘Whose story is it? What happens?’ That’s the absolute basic.

Now, expand on that. Ask questions of your story. Add the answers to these questions to your premise or synopsis and allow it to expand and expand. When you wake up in the morning, your brain will tell you what’s going to happen next. This is the bit that non-writers have a hard time understanding. The founder of NaNoWriMo understood very well that it is only by total immersion in your work-in-progress that you will come to be a part of it and live it. Day by day, this intimate contact with your story and its characters will show you the way. If you do not believe and you do not commit, this won’t happen for you.

About scenes

So, you have in front of you your expanding story outline. Now write the scene that first comes into your mind. You can write your scenes in any order, and then put them in order after NaNoWriMo. For now, just throw words down on the page.

If you already have a synopsis, that’s brilliant. Roughly divide it into three sections following the traditional Three-Act structure that we have talked about in the past. Do this not because it is the solution to plotting, but because it will give you a quick plan to work to. Remember always that your plan is organic. New ideas will come to you in the writing of your story, and you need to be flexible enough to accommodate these ideas.

Divide your first section or Act into scenes. Start writing the scenes in any order. As mentioned before, editing comes later.

Trick your mind

Do not share. Otherwise you will want your work to be perfect. It will be a first draft so it won’t be perfect and, because it is not perfect, you will stop writing. You will be paralyzed. This is why you should just write, and not blather on to other people about what you have written.

The setting up of your novel on the NaNoWriMo site means nothing. It is for you, psychologically, to know that your novel exists and that what you have outlined there on the site is roughly what you are going to write. I say ‘roughly’ because it is your book and you can change anything you like.

The technical stuff

During NaNoWriMo you actually write your story on your own laptop, or computer, or in your notebook. You are not required to upload anything else. You will need to type your work into a Word document because at the end, when you have come to the 30th day, or have finished the first draft, you have to copy and past your text into the NaNoWriMo word counter. On the basis of this you are issued with your ‘winning’ certificate. Your manuscript is not checked for content, grammar, spelling, or anything else. It is not printed or published anywhere. The upload is merely to check that you have in fact written 50,000 words or more.

About first drafts

Working towards a first draft and not stopping to edit pushes you towards reaching your desired word count. Many people get blocked because they feel dissatisfied with a sentence or a word that they have written and, because of this, they never move on. You can go back and tweak a bit here and there if it makes you feel better, but NaNoWriMo is a quirky kind of event, the aim of which is to get you unstuck about always thinking about writing that book and never ever doing it. It also tests whether you have the staying power to engage with a long piece of writing. Most people don’t. It takes stamina and seat glue. You have to say ‘no’ to invitations during the month of November, you have to live and breathe the writing. Won’t you do that for yourself for just one month?

Expanding your plan

So, your plan is roughly divided into three sections or Acts. You need to aim for three sets of scenes. As you work through some of your early scenes, the later scenes will come to mind, and as they do, you add them – the outline of them – as they appear, so that by the time you move on to the next section, your scenes, or most of them, are already in place.

As I said before, your story is organic. The synopsis, plan, scenes are in place to keep you on track. You elaborate these as you go along. You must write down ALL your ideas in the same document. It’s all part of your word count. At a later stage, when you have substantial material in a particular section, you can divide that text into chapters, but this is not essential since that would really just be cosmetic. Editing, and the division into chapters can come after NaNoWriMo when you begin the real work, and when you have found out what your book is really about. Your plan is there so that you don’t lose the plot. Follow the plan, but as a guide only.

Writing in company or in secret

By all means, find yourself a ‘writing buddy,’ but just for support and encouragement. Don’t start philosophizing about what you are doing or it will never happen.

There is nothing to stop you from signing up and using a pseudonym. Do your writing in secret and don’t tell anyone, but try to challenge yourself by keeping up your word count. If you fail miserably no one will ever know. There is no money to be spent, there is no one telling you what you should or shouldn’t write. This is actually just you challenging yourself and showing yourself that you can clock up a large number of words that tell – in the form of a rough draft – the story you want to elaborate.

Why?

People who do NaNoWriMo realize that the real work of the writer comes later when they build the bricks and the sand and the miscellaneous rubble into a designer house. That happens after NaNoWriMo. If you have no materials to work with, you cannot redraft, rewrite, elaborate, and you cannot produce anything worthwhile.

Focus and trust

So, during the 30 days of NaNoWriMo, keep a notebook by your side all through the day and write down any thoughts, lines, descriptions, scenes that relate to your story. If you’re focusing, and doing this right, the story will come to you and you will never be staring at a blank page.

Let me know if you are encountering any problems and what the nature of those problems is. I may be able to suggest a solution. Keep writing, especially this month.

 

 

Ghost Writers

If someone is a member of fifty activity groups, the chances of him or her coming to a writers’ workshop and sitting still long enough to write a story are pretty slim.

The writers’ group I founded in Abu Dhabi back in June 2015 now has 1,952 members. A group of these writer-members meets weekly, and out of around sixteen who sign up on the Meetup site for our free workshop sessions, usually about eight turn up to take their places in the café where we meet. What happens each week to the other eight, one can only guess. One assumes they were abducted on their way to the workshop. Sometimes we never ever hear from them again.

RIP

Many of our would-be attendees have plenty to say for themselves. Some send messages to say that they ‘really want to come’ to our workshop, and ‘definitely intend to come,’ but they are ‘just so busy at the moment.’ Well, with those fifty other groups to attend, they would be, wouldn’t they?

Some say they would indeed come if I could only move the group into the centre of town, or if I could change the meeting time, or if I could shift the day of meeting. Of course, call their bluff and change the location and the timings, and not only do those people not show up, but they vanish from the face of the earth. This is why we now refer to them as… ghost writers.

I sometimes wonder if analyzing the nature of the other groups chosen by these writers would give me a profile of the type of people who sign up for a writers’ group that they most likely won’t attend. Meetups much loved by our ghost writers include: the Abu Dhabi Blockchain & Cryptocurrency Meetup, the Abu Dhabi Agile Scrum Exchange, The Abu Dhabi Bucket Listers, The Abu Dhabi Corniche Boot Camp, The Abu Dhabi Dance Lessons Meetup, the Abu Dhabi Civil Engineering Meetup, and the Abu Dhabi Meditation group.Meet Up Logo

I like to keep an open mind. Many of our best writers have come not from the English departments of schools and universities, but from oil companies and IT departments. I also tell myself that I should be very happy when those who are expected do not show up. It must mean that the group has served its purpose of giving them a sense of community and motivation and, as a result, they are comfortably ensconced at their desks hammering out the ideas that will make up the next chapter of their book.

I mean… they won’t be in a shopping mall or at the cinema, will they?

Why you need to start writing yesterday

It may come as a shock to you to learn that you are not the only writer in the world, or in your country, or – indeed – in your neighbourhood. In fact, it would seem that every other person writes. I keep bumping into people who tell me, ‘Oh yes, I’ve written a novel.’

So, what’s the difference between one writer and the next?

Well, some writers are committed, and some are not. Some write every day, and until the sun goes down. Some have objectives, and some do not. Some prioritize their writing, and some drop tools to do other things… go out with friends, work late at the office, chat to people on social media. Yesterday they decided to write something, but today they’ve decided to go to a movie or to go out for a meal instead. You’ve got the idea. The writing isn’t going to happen.

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Meanwhile, you need to hear a few statistics. In the United States alone there are over 200 MFA writing programs (Master of Fine Arts in Creative Writing). In 2016, more than 20,000 people applied to these programs. Every year these MFA courses produce 3,000 writing graduates. A few of these have some moderate successes. Many more go on to teach… usually on MFA programs.

In short, there’s a lot of competition out there. While you’re sitting around thinking that you might like to be a writer, and that you might start writing seriously tomorrow or the next day, you’ve actually already been left behind in the dust of others who are a whole lot faster and a whole lot more committed.

But, if you still want to be a writer, here are a few things you need to do:

  1. Give up your socializing.
  2. Decide what you want to write, and plan your writing projects.
  3. Commit to and prioritize your writing.
  4. Stop talking about what you’re going to write, and write.
  5. Read like a writer. In other words, read to learn.
  6. Keep writing until you’ve completed a first draft, however terrible that is.
  7. Rewrite and improve, using the ideas and insights gained from your reading.After that if you are still not making any progress, consider that writing may not be for you. Think about trying your hand at some other art form. How about painting?

The Write Stuff: short stories

In case you’re wondering if any good comes out of being part of a writers’ group… well, it does. This month sees the publication of The Write Stuff, a collection of stories by members of the Abu Dhabi Writers’ Workshop. These are all writers who stuck with the group, read, listened, discussed, and wrote their socks off.

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Of the 14 whose work appears in the anthology, at least four are first-time authors who thought that the chance of ever getting published was either impossible or remote. But today, they are in print and on the path to future writing successes.

My formula for becoming a writer: read a lot, write a lot, re-write a lot, read some more. Don’t rush through books just to clock up numbers. You’re a writer, so read in order to learn how others write.

The Write Stuff is available now on amazon.com, on amazon.co.uk, and on Kindle.

 

Why you should stop exposing your clunky writing to the world

If you have the time, I strongly urge you to listen at least to the first half of this podcast from The Guardian newspaper of an interview with two traditionally published first-time authors.

What we learn, amongst other things, is how long it took these authors to write their books and the process they went through in the editing of them. One author spent three years on her book, the other seven years. One spent three months just doing a line edit of her novel, going painstakingly through the text with a ruler under each line, re-reading, correcting and adjusting. ‘Writers’ often hand me stories that they proudly tell me they finished just the night before… and, of course, it shows.

Another interesting piece of information from this podcast concerns the results of the last ALCS survey on author earnings in the UK. The average amount they earned was 11,000 GBP per year. This leads us to reflect on why we write and what we want from our writing. From talking to many would-be authors, I find that there is still a desire for and a belief in overnight success. Publication, they believe, will bring them the kind of glory and recognition that they are unlikely to find in other fields of work. What they do not put into the mix is that, for experienced critics and the discerning reader, the faults of their work will be on display for all to see. So, instead of showcasing their remarkable imagination and insights, they may well, through haste, and careless or the absence of editing, simply be demonstrating their ignorance and incompetence.

Everyone who can think can write, but not everyone who can write can produce work of quality. My advice for anyone publishing or hoping to publish traditionally or by self-publishing is 1) keep writing, 2) put in the work, 3) learn from your mistakes, 4) read books that have been professionally edited in order to learn, and 5) build your life around your writing, not your writing around your life.

Abu Dhabi Stories – Call for submissions

New York, London, Paris, Tokyo – these cities and many others have been the setting for stories of mystery, crime, adventure, love. We’d like you to call on your first-hand experience of the UAE to set your story in Abu Dhabi. This is a call for submissions to our upcoming short story anthology: Abu Dhabi Stories. Read on for further details.

IMG_2466Deadline: 30 November, 2018

Word Count: Minimum length 250 words. Maximum length 2,500 words.

Send to: adww2015@hotmail.com

Please read our ‘Information & Guidelines’ before submitting:

Information & Guidelines

 Your entry should

  • be fiction, and must have an Abu Dhabi theme or connection.
  • be between 250 and 2,500 words in length.
  • be in English.
  • have a title.

Format your story in Times New Roman, 12pt, with double-line spacing, and page numbers.

Type your word count in the top right-hand corner of page 1.

Label your Word document with the title of your story and your name, e.g., Great Expectations – Charles Dickens

Send your Word document entry to adww2015@hotmail.com You can enter a maximum of two stories.

Put Abu Dhabi Stories in the subject line of your e-mail

Submitting your work to the anthology is free, but you should be a member of our Abu Dhabi Writers’ Workshop Meet-Up group, and/or a member of The Abu Dhabi Writers’ Workshop Facebook group. If you are a former member, but have left the UAE, please join our Facebook group to keep in touch. Membership of both the Meet-Up group and the Facebook group is free. There is no charge for attendance at our Wednesday night workshops.

Address any queries about submissions by e-mail to Janet Olearski at adww2015@hotmail.com or in person to Kwame Dadson at our Wednesday workshops.