NaNoWriMo – The Fast and Furious Guide

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We’ve been having a conversation on WhatsApp about how to do NaNoWriMo. Here is my Fast and Furious Guide. It defies all the laws of good writing, but it may help you clock up your 50,000 words, and once you have those, you have the first draft of your book.

About plans

So first, sketch out a rough plan. Spend five minutes on this. Don’t agonize over it.

Next, write a one- or two-line premise to remind yourself what you are writing about. Ask yourself, ‘Whose story is it? What happens?’ That’s the absolute basic.

Now, expand on that. Ask questions of your story. Add the answers to these questions to your premise or synopsis and allow it to expand and expand. When you wake up in the morning, your brain will tell you what’s going to happen next. This is the bit that non-writers have a hard time understanding. The founder of NaNoWriMo understood very well that it is only by total immersion in your work-in-progress that you will come to be a part of it and live it. Day by day, this intimate contact with your story and its characters will show you the way. If you do not believe and you do not commit, this won’t happen for you.

About scenes

So, you have in front of you your expanding story outline. Now write the scene that first comes into your mind. You can write your scenes in any order, and then put them in order after NaNoWriMo. For now, just throw words down on the page.

If you already have a synopsis, that’s brilliant. Roughly divide it into three sections following the traditional Three-Act structure that we have talked about in the past. Do this not because it is the solution to plotting, but because it will give you a quick plan to work to. Remember always that your plan is organic. New ideas will come to you in the writing of your story, and you need to be flexible enough to accommodate these ideas.

Divide your first section or Act into scenes. Start writing the scenes in any order. As mentioned before, editing comes later.

Trick your mind

Do not share. Otherwise you will want your work to be perfect. It will be a first draft so it won’t be perfect and, because it is not perfect, you will stop writing. You will be paralyzed. This is why you should just write, and not blather on to other people about what you have written.

The setting up of your novel on the NaNoWriMo site means nothing. It is for you, psychologically, to know that your novel exists and that what you have outlined there on the site is roughly what you are going to write. I say ‘roughly’ because it is your book and you can change anything you like.

The technical stuff

During NaNoWriMo you actually write your story on your own laptop, or computer, or in your notebook. You are not required to upload anything else. You will need to type your work into a Word document because at the end, when you have come to the 30th day, or have finished the first draft, you have to copy and past your text into the NaNoWriMo word counter. On the basis of this you are issued with your ‘winning’ certificate. Your manuscript is not checked for content, grammar, spelling, or anything else. It is not printed or published anywhere. The upload is merely to check that you have in fact written 50,000 words or more.

About first drafts

Working towards a first draft and not stopping to edit pushes you towards reaching your desired word count. Many people get blocked because they feel dissatisfied with a sentence or a word that they have written and, because of this, they never move on. You can go back and tweak a bit here and there if it makes you feel better, but NaNoWriMo is a quirky kind of event, the aim of which is to get you unstuck about always thinking about writing that book and never ever doing it. It also tests whether you have the staying power to engage with a long piece of writing. Most people don’t. It takes stamina and seat glue. You have to say ‘no’ to invitations during the month of November, you have to live and breathe the writing. Won’t you do that for yourself for just one month?

Expanding your plan

So, your plan is roughly divided into three sections or Acts. You need to aim for three sets of scenes. As you work through some of your early scenes, the later scenes will come to mind, and as they do, you add them – the outline of them – as they appear, so that by the time you move on to the next section, your scenes, or most of them, are already in place.

As I said before, your story is organic. The synopsis, plan, scenes are in place to keep you on track. You elaborate these as you go along. You must write down ALL your ideas in the same document. It’s all part of your word count. At a later stage, when you have substantial material in a particular section, you can divide that text into chapters, but this is not essential since that would really just be cosmetic. Editing, and the division into chapters can come after NaNoWriMo when you begin the real work, and when you have found out what your book is really about. Your plan is there so that you don’t lose the plot. Follow the plan, but as a guide only.

Writing in company or in secret

By all means, find yourself a ‘writing buddy,’ but just for support and encouragement. Don’t start philosophizing about what you are doing or it will never happen.

There is nothing to stop you from signing up and using a pseudonym. Do your writing in secret and don’t tell anyone, but try to challenge yourself by keeping up your word count. If you fail miserably no one will ever know. There is no money to be spent, there is no one telling you what you should or shouldn’t write. This is actually just you challenging yourself and showing yourself that you can clock up a large number of words that tell – in the form of a rough draft – the story you want to elaborate.

Why?

People who do NaNoWriMo realize that the real work of the writer comes later when they build the bricks and the sand and the miscellaneous rubble into a designer house. That happens after NaNoWriMo. If you have no materials to work with, you cannot redraft, rewrite, elaborate, and you cannot produce anything worthwhile.

Focus and trust

So, during the 30 days of NaNoWriMo, keep a notebook by your side all through the day and write down any thoughts, lines, descriptions, scenes that relate to your story. If you’re focusing, and doing this right, the story will come to you and you will never be staring at a blank page.

Let me know if you are encountering any problems and what the nature of those problems is. I may be able to suggest a solution. Keep writing, especially this month.

 

 

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Ghost Writers

If someone is a member of fifty activity groups, the chances of him or her coming to a writers’ workshop and sitting still long enough to write a story are pretty slim.

The writers’ group I founded in Abu Dhabi back in June 2015 now has 1,952 members. A group of these writer-members meets weekly, and out of around sixteen who sign up on the Meetup site for our free workshop sessions, usually about eight turn up to take their places in the café where we meet. What happens each week to the other eight, one can only guess. One assumes they were abducted on their way to the workshop. Sometimes we never ever hear from them again.

RIP

Many of our would-be attendees have plenty to say for themselves. Some send messages to say that they ‘really want to come’ to our workshop, and ‘definitely intend to come,’ but they are ‘just so busy at the moment.’ Well, with those fifty other groups to attend, they would be, wouldn’t they?

Some say they would indeed come if I could only move the group into the centre of town, or if I could change the meeting time, or if I could shift the day of meeting. Of course, call their bluff and change the location and the timings, and not only do those people not show up, but they vanish from the face of the earth. This is why we now refer to them as… ghost writers.

I sometimes wonder if analyzing the nature of the other groups chosen by these writers would give me a profile of the type of people who sign up for a writers’ group that they most likely won’t attend. Meetups much loved by our ghost writers include: the Abu Dhabi Blockchain & Cryptocurrency Meetup, the Abu Dhabi Agile Scrum Exchange, The Abu Dhabi Bucket Listers, The Abu Dhabi Corniche Boot Camp, The Abu Dhabi Dance Lessons Meetup, the Abu Dhabi Civil Engineering Meetup, and the Abu Dhabi Meditation group.Meet Up Logo

I like to keep an open mind. Many of our best writers have come not from the English departments of schools and universities, but from oil companies and IT departments. I also tell myself that I should be very happy when those who are expected do not show up. It must mean that the group has served its purpose of giving them a sense of community and motivation and, as a result, they are comfortably ensconced at their desks hammering out the ideas that will make up the next chapter of their book.

I mean… they won’t be in a shopping mall or at the cinema, will they?

The Write Stuff: short stories

In case you’re wondering if any good comes out of being part of a writers’ group… well, it does. This month sees the publication of The Write Stuff, a collection of stories by members of the Abu Dhabi Writers’ Workshop. These are all writers who stuck with the group, read, listened, discussed, and wrote their socks off.

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Of the 14 whose work appears in the anthology, at least four are first-time authors who thought that the chance of ever getting published was either impossible or remote. But today, they are in print and on the path to future writing successes.

My formula for becoming a writer: read a lot, write a lot, re-write a lot, read some more. Don’t rush through books just to clock up numbers. You’re a writer, so read in order to learn how others write.

The Write Stuff is available now on amazon.com, on amazon.co.uk, and on Kindle.

 

Abu Dhabi Stories – Call for submissions

New York, London, Paris, Tokyo – these cities and many others have been the setting for stories of mystery, crime, adventure, love. We’d like you to call on your first-hand experience of the UAE to set your story in Abu Dhabi. This is a call for submissions to our upcoming short story anthology: Abu Dhabi Stories. Read on for further details.

IMG_2466Deadline: 30 November, 2018

Word Count: Minimum length 250 words. Maximum length 2,500 words.

Send to: adww2015@hotmail.com

Please read our ‘Information & Guidelines’ before submitting:

Information & Guidelines

 Your entry should

  • be fiction, and must have an Abu Dhabi theme or connection.
  • be between 250 and 2,500 words in length.
  • be in English.
  • have a title.

Format your story in Times New Roman, 12pt, with double-line spacing, and page numbers.

Type your word count in the top right-hand corner of page 1.

Label your Word document with the title of your story and your name, e.g., Great Expectations – Charles Dickens

Send your Word document entry to adww2015@hotmail.com You can enter a maximum of two stories.

Put Abu Dhabi Stories in the subject line of your e-mail

Submitting your work to the anthology is free, but you should be a member of our Abu Dhabi Writers’ Workshop Meet-Up group, and/or a member of The Abu Dhabi Writers’ Workshop Facebook group. If you are a former member, but have left the UAE, please join our Facebook group to keep in touch. Membership of both the Meet-Up group and the Facebook group is free. There is no charge for attendance at our Wednesday night workshops.

Address any queries about submissions by e-mail to Janet Olearski at adww2015@hotmail.com or in person to Kwame Dadson at our Wednesday workshops.

 

Solitude and the writer

Why do writers need silence and solitude?

Surely writers can write anywhere – in public places and in cafés, for example? Why would they even need to go to workshops or on writers’ retreats? Why can’t writers lock out their family and write in a room at home? Why do they complain when people make a noise and ‘disturb’ them?

Does contrived solitude work? Do writers produce more when they are alone, or when they are surrounded by others?

Your inner creative voice

Writers need just enough silence and solitude to listen to their inner creative voice. We have many inner voices and the worst, of course, is the one that beats you up for the things you haven’t done and should do. We’ve been taught to kill that voice. We’ve been taught to talk back to it and sort it out. Remember that book by Shad Helmstetter, What to say when you talk to your self? But, when slaughtering the bad voice, we need to take care not to lose the creative one. It’s down there somewhere, and your life as a writer is so much more difficult if you can’t hear it.

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Turning down the external volume

You go out, you have fun, you surround yourself with friends, you discuss, you argue, you tell jokes. Do all of that on a regular basis and there is way too much external noise. You will never hear the voice that has come up with a memory, an idea, a what-if, the description of a character, or an opening line to some story you haven’t thought of yet. So, you need to turn down the external volume and listen out for what that voice is saying.

Abu Dhabi, home to our Abu Dhabi Writers’ Workshop, is not the best of places to be a writer. There is something for you to see and do every evening of the week: a film screening, an exhibition opening, a musical performance, a play, a comedy show, a guest speaker, a debate, a dinner with friends. And after each of those activities, you are obliged to post photos of the event on social media to show that you were there along with the rest of the in-crowd, the people who are in the places that are trending.

But what about your writing? You won’t be hearing your inner creative voice with all that going on.

Solutions

There are various solutions. Some are drastic.

  • You could stop going out and do what you originally committed to do – write. At a writers’ conference, author Terry Pratchett once gave a plenary address entitled, ‘Why are you listening to me when you should be at home writing?’
  • You could give up writing. You may need to acknowledge that you are not sufficiently committed to writing to give up your social life and spend the necessary time drafting and re-drafting your work.
  • You could go to a writers’ workshop and find enough temporary focus to hear that voice and write for thirty or forty minutes. This can definitely get you started, though it is not a permanent solution. Your workshop will provide you with input and support, and it will give you that brief period of head space that you need to get some new ideas down on paper. To be a successful writer, however, you need to be able to write independently of your writers’ workshop. Did Dickens go to a writers’ workshop? Did Hemingway?

SolitudeDo not delude yourself. If you can’t write on your own – and that means being able to turn down the external volume to hear what’s in your head – you won’t be able to write in that expensive writers’ retreat or in that romantic garret in Paris.

 Listen

So, train yourself to be silent. Limit your socializing. If your socializing is full-time and your writing is supposed to be full-time, one of those is not going to work. Decide which it is to be. Find a time of day to think and write when there are fewer distractions, and let that creative voice filter through. Listen to it and then quickly write down everything it says.

If you can do this, you will never be short of ideas and you will become your own support system.

Writers on the edge

Lots of writers out there are ‘on the edge.’ Perhaps they are not writers at all, but they are thinking about writing and they are almost or nearly writing. The purpose of a writers’ workshop as I see it is to get these writers on track or, if they have strayed, to get them back on track. This is one of the reasons why I set up The Abu Dhabi Writers’ Workshop – to support writers, but also to help them help themselves.

The Abu Dhabi Writers’ Workshop, which met for the first time in June 2015, has held over 30 sessions and run over 90 workshop hours. At the last count there were 606 members. Most of our regular writers have set their goals and are most definitely on track. However, it’s now possible to have a better overview of the issues encountered by some of our newer writers and from time to time I hope to discuss these here on the All Write In Abu Dhabi blog.

How our writers write, their writing process, comes up for discussion on a regular basis. I think there are warning signals that we need to watch out for that indicate all is not well with our writing process. Here are some of them.

You need to review your writing process if …

  • you’ve been writing for a long while and have little to show for it;
  • you lack the ideas and inspiration to keep going;
  • you’ve lost your direction;
  • you’ve lost sight of the story you wanted to write;
  • your rough draft hasn’t moved on for some time;
  • you keep adding subplots to your novel;
  • you write infrequently;
  • you read only rarely.

I’m sure I can come up with other signals, but these should be enough to get us started.

Obviously people take different approaches to their writing. The way you write may not suit me. The way I write may not suit you. The three approaches most commonly described in the how-to-write literature are as follows:

Pantser writing – called this because it is when people write ‘by the seat of their pants.’ These writers begin writing, then figure out where their story is going as they write. Sometimes this works very well. Sometimes it is a disaster with the writer ending up wandering about in the dark wood of the soul.

Freestyle writing – in which the writer writes scenes out of order and then organizes those scenes into a coherent structure.

Outline writing – here the writer puts together a detailed outline, working out who does what and when, and adding in the related subplots. When everything is in place, they go full speed ahead and write their first draft. Have a look at this video in which crime writer Jeffery Deaver explains his approach to outlining:

There are no rules. You can write the way you want to. However, successful writers usually establish the rules that work for them and stick to those rules. If your novel is getting written, and if your work is getting published, you’re doing something right. If you’re floundering in a mire of words, join us at The Abu Dhabi Writers’ Workshop and find out about the writing processes favoured by our most seasoned and successful writers.