The Write Stuff: short stories

In case you’re wondering if any good comes out of being part of a writers’ group… well, it does. This month sees the publication of The Write Stuff, a collection of stories by members of the Abu Dhabi Writers’ Workshop. These are all writers who stuck with the group, read, listened, discussed, and wrote their socks off.

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Of the 14 whose work appears in the anthology, at least four are first-time authors who thought that the chance of ever getting published was either impossible or remote. But today, they are in print and on the path to future writing successes.

My formula for becoming a writer: read a lot, write a lot, re-write a lot, read some more. Don’t rush through books just to clock up numbers. You’re a writer, so read in order to learn how others write.

The Write Stuff is available now on amazon.com, on amazon.co.uk, and on Kindle.

 

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Solitude and the writer

Why do writers need silence and solitude?

Surely writers can write anywhere – in public places and in cafés, for example? Why would they even need to go to workshops or on writers’ retreats? Why can’t writers lock out their family and write in a room at home? Why do they complain when people make a noise and ‘disturb’ them?

Does contrived solitude work? Do writers produce more when they are alone, or when they are surrounded by others?

Your inner creative voice

Writers need just enough silence and solitude to listen to their inner creative voice. We have many inner voices and the worst, of course, is the one that beats you up for the things you haven’t done and should do. We’ve been taught to kill that voice. We’ve been taught to talk back to it and sort it out. Remember that book by Shad Helmstetter, What to say when you talk to your self? But, when slaughtering the bad voice, we need to take care not to lose the creative one. It’s down there somewhere, and your life as a writer is so much more difficult if you can’t hear it.

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Turning down the external volume

You go out, you have fun, you surround yourself with friends, you discuss, you argue, you tell jokes. Do all of that on a regular basis and there is way too much external noise. You will never hear the voice that has come up with a memory, an idea, a what-if, the description of a character, or an opening line to some story you haven’t thought of yet. So, you need to turn down the external volume and listen out for what that voice is saying.

Abu Dhabi, home to our Abu Dhabi Writers’ Workshop, is not the best of places to be a writer. There is something for you to see and do every evening of the week: a film screening, an exhibition opening, a musical performance, a play, a comedy show, a guest speaker, a debate, a dinner with friends. And after each of those activities, you are obliged to post photos of the event on social media to show that you were there along with the rest of the in-crowd, the people who are in the places that are trending.

But what about your writing? You won’t be hearing your inner creative voice with all that going on.

Solutions

There are various solutions. Some are drastic.

  • You could stop going out and do what you originally committed to do – write. At a writers’ conference, author Terry Pratchett once gave a plenary address entitled, ‘Why are you listening to me when you should be at home writing?’
  • You could give up writing. You may need to acknowledge that you are not sufficiently committed to writing to give up your social life and spend the necessary time drafting and re-drafting your work.
  • You could go to a writers’ workshop and find enough temporary focus to hear that voice and write for thirty or forty minutes. This can definitely get you started, though it is not a permanent solution. Your workshop will provide you with input and support, and it will give you that brief period of head space that you need to get some new ideas down on paper. To be a successful writer, however, you need to be able to write independently of your writers’ workshop. Did Dickens go to a writers’ workshop? Did Hemingway?

SolitudeDo not delude yourself. If you can’t write on your own – and that means being able to turn down the external volume to hear what’s in your head – you won’t be able to write in that expensive writers’ retreat or in that romantic garret in Paris.

 Listen

So, train yourself to be silent. Limit your socializing. If your socializing is full-time and your writing is supposed to be full-time, one of those is not going to work. Decide which it is to be. Find a time of day to think and write when there are fewer distractions, and let that creative voice filter through. Listen to it and then quickly write down everything it says.

If you can do this, you will never be short of ideas and you will become your own support system.